Pearl Harbour Tour supported by Bo Diddley

updated 5 Sept 2008 - added photo


The Clash at the Rex Danforth

cdr - from 2nd gen - Sound 3 - 73min - 2gen - 19 tracks

video - Canadian TV; City Limits - Tommy Gun [with dubbed audio]

* the clip is followed by an after gig interview with Pennie Smith about torn out seating which is from O'Keefe gig in Sep 1979

Tommy Gun footage is mistakingly identified as the O'Keefe Centre however Tommy Gun was dropped from the Take the Fifth Tour Set List and furthermore the flags in background of the Tommy Gun video are from this earlier Pearl Harbour Tour. Probably pulled from Canadian TV archives as the City Limits programme went out a few years later it was subsequently misidentified with the Pennie Smith O'Keefe footage.

Last night of the Pearl Harbour

Last night of the Pearl Harbour tour; a highly successful tour both artistically and in terms of establishing a growing reputation and following in the USA.

Pearl Harbour produced some of the best Clash concerts ever, and this was another triumph.

... and onto the Take the 5th tour

On The Take the 5th tour in September/October The Clash would be playing large auditoriums, but this was a converted cinema with the toilet doubling as a dressing room! Strummer recalls, “ The PA sounded like it was filled with hamsters on coke! Even though it sounded rough we really enjoyed it and the crowd stormed the stage at the end. There were just 2 bouncers trying to hold the crowd back”


A very enjoyable recording.

A good audience recording exists of the concert; good width and clarity of sound, though not pro levels, making this one of the better tapes of the tour.

The great atmosphere of this charged gig is captured well. It’s a 2nd generation with a good deal of clarity and range. The vocals, percussion, guitars, including an excellent bass, all play off each other, though there is some slight echo/distance. Vocals are a touch distant but the guitars come through powerfully. A very enjoyable recording.

Joe is very talkative throughout, apologising for the poor sound early on and at the start of the encore says “We wanna kinda apologise, we arrived in Canada about 2 weeks ago feeling full of beans, now we’ve had it if you know what I’m trying to say”. But if The Clash were worn out at the end of the tour there is no sign of it here: its highly charged and intense throughout.

Joe wins the audience over after Bored with The USA, the storming set opener, “Turn on the house lights, listen who’s the promoter? Calling Mike Cole, listen you big guys, you’re never gonna stop them dancing, they just wanna stand there and dance”. He then tells the bouncers “you’ve gotta watch for anyone going down” How many Toronto audiences had heard a band say that to the security before?

The PA sound problems improve during Tommy Gun, which Joe introduces with “ This is Topper, Britain’s answer to Bruce Lee!” To requests for White Riot Joe jokes, “that’s an old song, so Bing Crosby still has fans even in Toronto! There’s a tape change before Stay Free, which loses some of Mick’s introduction.

Capital Radio is preceded by “This is what (Toronto Radio) Q107 sounds like, just a farting noise all day, so this song is now entitled thank you Radio Q107, we are your mindless robots”.

The encore cranks up the intensity even higher and White Riot breaks down halfway through after a stage invasion. Fans shout out the chorus, and then someone grabs the microphone and screams “God Save The Queen!” The taper or someone nearby says “unbelievable” as the crowd shout for me.

The house lights come on and the recording ends with the first bars of a song that would inspire The Clash to record one of the best cuts on London Calling; Vince Taylor’s Brand New Cadillac.

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I’m so bored with the USA
Guns on the Roof
Jail Guitar Doors
Drug Stabbing Time
Tommy Gun
City of the Dead
Career Opportunities
Clash City Rockers
White Man
English Civil War
Stay Free
Police and Thieves
Capital Radio
Janie Jones
Garageland
Julies been Working for /DS
Complete Control
Londons Burning
White Riot

bold indicates on video

Gig Reviews

A Riot of Our Own pg

Best Magazine [French]
...page1 ...page2 ...page3 ...page4 ...page5 ...page6
Rough English Translation

Refused Visas

Q Magazine UK May 2001
Comments from the band and others on the Pearl Harbour Tour february 1979

Melody Maker
Tour Review

A3 Billboard Ad for the Tour

Melody Maker front page only
The Riot Squad
Allan Jones follows the Clash across America

Sounds
Gary Bushells Tour Notes

Dolly Parton Impersonators

Sounds
Sylvia Simmonds Tour Notes

Village Voice
Tour Notes

Sounds
Strummer's Pearl Harbour Diary

Trouser Press
End of Tour Interview

Los Angeles Times January 20, 1979
Clash Crests on New Punk Wave

Time Magazine
5 March 1979

Jenny Lens (clash photographer)
Photos and Exhibition

Any further info / reviews appreciated

A3 ad (from poster) placed on page 105 of Billboard 3 March 1979


Jan 31 Commodore Ballroom, Vancover, Canada
Feb 7 Berkely Community Centre California
Feb 8 Geary Temple (Fillmore), San Francisco CA
Feb 9 Civic Auditorium, Santa Monica CA
Feb 13 Agora, Cleveland OH
Feb 15 Ontario Theatre, Washington DC
Feb 16 Harvard Square Theater, Cambridge MA
Feb 17 Palladium, New York NY
Feb 20 The Rex Danforth Theatre, Toronto, Canada
We were going to drive to Toronto from New York, but we were snowed in and except for the back-line vehicle, the rest of us flew direct to Cananda. Scratchy